
With a book by MacArthur Fellow Dominique Morisseau and Tony-winning choreography by Sergio Trujillo, “Ain’t Too Proud” has higher aims than your garden variety jukebox musical. “It’s pretty incredible that their songs have lasted and stood the test of time.” “You get a chance to see their backstory and the things they were dealing with as a group while making this great music that America loves,” Holmes says. What’s less known – and what this musical aims to illuminate – are the stories behind the songs as the group navigated egos, fame, drug use and the unrest of the 1960s. The Temptations are widely known for their songs, intricate choreography, distinct harmonies and dapper dress. Since December, Holmes has been on the road with the Broadway tour of the musical, telling the tale of the legendary Motown group responsible for hits like “My Girl,” “I Wish It Would Rain,” “Just My Imagination (Running Away with Me)” and “Ain’t Too Proud to Beg.” There’s a certain amount of breath control that you have to have to pull that off.” “I’m playing the bass of the group, so I’m singing super low notes. “It was a lot of being in the gym looking crazy,” says Holmes of his efforts to build up his stamina for the singing and dancing demands of the role. prepared to portray bass singer Melvin Franklin in the Temptations musical “Ain’t Too Proud,” which lands at the Altria Theater on Tuesday for a six-day residency. These are just a few ways that actor Harrell Holmes Jr. High Intensity Interval Training workouts and singing. Search for: Categories Categories Follow The Voice Of Unreason on WordPress.Running and singing. Nor may you transmit it or store it in any other website or other form of electronic retrieval system. You may not, except with our express written permission, distribute or commercially exploit the content. you may copy the content to individual third parties for their personal use, but only if you acknowledge the website as the source of the material.
SONGS BY EDWIN STARR DOWNLOAD


It isn’t hard to understand why Edwin Starr’s version of what was originally earmarked to be a Temptations song resonated so much with the American public.
